A Light Against the Dark

Constable Rowan was whistling merrily as he entered the Blackwell police station, which faltered as he beheld the expression on Sergeant Randall’s face.

“The inspector wants to see you,” said Randall, “you’ll find him up by the pigeon loft. We’ve had a…visitor.”

Randall refused to go into further detail and Rowan felt slightly apprehensive as he ascended the stairs and climbed out on to the flat roof at the rear of the station.

Inspector Neame was attending to the station’s homing pigeons, which he claimed was a chore, but Rowan knew that the inspector had named each individual bird and was able to identify them each by their plumage. As Rowan approached, the inspector turned, brushing maize husks from his hands.

“Ah, the infamous Constable Rowan,” he began, “who seems destined to make my life more interesting with every breath he takes.”

He reached for a sheaf of papers held down on the parapet with a half brick and perused the top sheet.

“Whilst your report covers the salient points on the investigation into the abduction of the Darling children and their subsequent recovery by yourself, some of the details seem somewhat opaque. ‘Known sources’ and ‘civilian consultant’ especially…”

He gazed Northward, across the courtyard from which a sustained rattling was coming, towards the bare branches of Blackwell Common, above which could be seen the carillon tower at its centre.

“It may intetest you know that I received a visit from you ‘known source’.” He turned at Rowan’s sharp intake of breath. “That’s correct, Rowan, I have had the dubious pleasure of making the acquaintance of the Night Mayor, or Mr Thomas Morrow as he introduced himself intially.” He paused and looked sternly at Rowan. “I have to admit to being slightly disappointed in you, Rowan. Whilst the Darling affair was handled well and wrapped up swiftly, the fact that you chose to withold information regarding this…gentleman and his organisation, information that could have proved useful on several prior occasions, does not sit well with me.”

He sighed and continued.

“Howevet, the Night Mayor has proposed a mutually beneficial arrangement, in which he will put his resources and personnel at our disposal, in return for which he would like the protection provided by the Black Museum to be extended to include the members of the Court of Shadows. And you, Sergeant Rowan, are to be the official liaison between our two groups.”

It took Rowan a moment to realise just what the inspector had said.

“Sergeant?” He stammered.

“Yes, Rowan, I am promoting you. Don’t thank me just yet, as you’ll find the responsibilities of your new rank will far outweigh the increase in salary.” He beckoned Rowan forward and pointed down into the courtyard.

“That,” he said, pointing out a gaunt figure dressed in an ill-fitting uniform who was riding one of the station’s high-wheelers around in circles in the yard, “is your first constable. His name, if I recall correctly, is Jack Landers and he is one of the night Mayor’s…people.” The inspector frowned. “Apparently he is a former blacksmith and seems obsessed with the station’s wheeled conveyances. He has been sworn in and issued a uniform. However, he refused the police issue lantern, stating that his own is far superior. Constable Landers is now your responsibility – try and keep him under control. You may go.”

As Rowan descended the stairs, he racked his brains. The name seemed familar, but he was certain the inspector had not pronounced it correctly. As he emerged into the courtyard, a cheerful voice with an Irish lilt greeted him.

“Well, if it’s not me old friend Stanley Rowan…” said the figure. “Oops…i mean me new boss, Sergeant Rowan. What d’ya think of me penny farthin’? Isn’t it grand?”

Rowan put his head in his hands. It seemed that the first Umbral police officer was to be Constable Jack O’Lantern…

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Shouting Into the Storm

2018 has arrived and the usual thing to do for the first post of the New Year is to offer sober reflections on what has gone before and look forward to what is to come.

So, I could give a precis of what I feel I’ve achieved over the past twelve months and what I think I may achieve over the next twelve, but for those who follow and visit this blog know, I never quite do what is expected, so there won’t be any of that here.

If you want to know what I’ve done over the last twelve months, it’s all recorded here – literally in black and white, in some cases – so feel free to browse the back catalogue and as for the future…well, you’ll just have to wait and see.

So, what exactly is the purpose of this post and what does the title mean?

If you think about it, blogging about wargaming is a rather odd development of the wargaming hobby. Wargaming is, essentially, a hobby in which two (or more) people sit down and pit their assembled forces against one another, indulging in miniature conflicts that range across various genres and historical periods. In other words, for the most part, it is not a solitary pursuit. Now, before certain people start jumping up and done and telling me that solo wargaming does exist, I am speaking generally here.

Blogging is generally a solitary pursuit – one person, sitting in front if their computer screen, manipulating images and carefully crafting a post to release into the wilds of the Internet, never knowing whether anyone will actually read their post or appreciate the time and effort that has gone into preparing it. And as there is so much available content out there, it is like shouting into the storm.

A person’s blog is their personal expression of their way of pursuing their hobby. You may not like the particular genre they focus on or their painting style or the way they express themselves, but, for the most part, that person is not blogging solely for YOUR benefit. They are merely sharing what they are doing in the hopes that someone else will find it interesting or inspiring or entertaining. At least, that’s why I do it.

So, when visiting others blogs, if you see something you like, spare a few moments of your valuable time to tell that person that you like what they’ve done – not because you feel you should or because you want them to do the same on your blog, but because you genuinely want to acknowledge the time and effort that has gone in to doing it. 

And whilst everyone is entitled to their own opinion, think twice before deliberately being negative about someone’s efforts. Think how you would feel if you received a similar comment on all your hard work. I’ve known people who have given up blogging due to petty and vindictive comments made by small-minded people who derive pleasure from publically slagging off their efforts or them personally and I personally believe that the hobby is a poorer place for it.

Our hobby is a rich and wonderful thing, filled with talented people, wonder and imagination – the only trolls should be those fielded on tabletop.

The Crow has spoken. 😉

Out, Out, Brief Candle…

It was New Year`s Eve and dreadfully cold. The snow fell quickly in the darkening night as evening came on. In the cold and the darkness, there walked along the street a poor little girl, bareheaded and with no shoes on her feet. When she left home she had slippers on, it is true, but they were much too large for her feet. Her mother had used those slippers ’til then, but the poor little girl lost them running across the street when two carriages were passing quickly by. When she looked for them, one was not to be found, and a boy grabbed the other and ran away with it. So on the little girl went with her bare feet, that were red and blue with cold. 

In an old apron that she wore she had bundles of matches and also carried a bundle in her hand. No one had bought so much as a bunch all long day and no one had given her even a ha’penny.

Poor little girl! Shivering with cold and hunger she crept along, feeling miserable.

The snowflakes fell on her long hair, which hung in pretty curls about her neck, but she did not think of her beauty or of the cold. Lights shone from every window, and she could smell the beautiful aroma of roast goose and turkey being cooked in all the houses… for the New Year’s festivities had begun. She could not bear to think about it. Honey roast hams, and sizzling bacon rolled around spiced sausages (pigs in blankets they were called by the wealthy who could afford them); game pie, pork pie, pheasant and rabbit, duck pâté and a host of other succulent rich savouries.

In a corner between two houses, she sat down. She tucked her little feet in underneath herself, but still she grew colder and colder. She did not dare to go home, as she had not sold any matches and could not bring any money. Her father would certainly would not be pleased. Besides, it was cold enough at home, as they had only a roof above them and that was full of holes.


Now her little hands were nearly frozen with cold. She thought that maybe a match might warm her fingers if she lit it, so at last she drew one out. She struck it: and oooh! How it blazed and burned! It gave out a warm, bright flame like a little candle, as she held her hands over it. A wonderful little light it was. It really seemed to the little girl as if she sat in front of a great iron stove with a lovely fire inside.

So nicely it burned that the little girl stretched out her feet to warm them. How comfortable she was! But then the flame went out, the stove vanished, and nothing remained but the little burned match in her hand.


She rubbed another match against the wall. It burned brightly, and where the light fell on the wall she could suddenly see right through it into the room beyond. A snow-white cloth was spread upon the table, on which beautiful china plates 
were laid, while a stuffed roast goose cooked away and gave off a most delicious smell. And what was more delightful still, and wonderful, the goose jumped from the dish, with knife and fork still in its breast, and waddled along the floor straight towards the little girl.

But the match went out then, and nothing was left to her but the thick, damp wall.

She lit another match. And now she was under a most beautiful Christmas tree, larger and far more prettily decorated than the one she had seen through the glass doors at the rich merchant’s house. Hundreds of candles were burning on the green branches, and little painted figures, like she had seen in shop windows, looked down on her. The child stretched out her hands to them, but then the match went out.

From the distance in the darkness there came a mischievous cackle. But when the girl strained to look – there was no one there: only the shadows and the night.


Still, looking up along the arch of the alleyway, to the market square and the lights of the big public Christmas tree which burned higher and higher into the sky… she saw one candle light fall from the branch, forming a long trail of fire.

“Now someone is dying,” murmured the child softly, for her grandmother, the person who had loved her the most, and who was now dead, had told her that whenever a star falls a soul goes up to Heaven.

She struck yet another match against the wall. It lit and in its brightness her dear old grandmother appeared before her, beaming love and kindness.

“Oh, grandmother,” cried the child, “take me with you. I know you will go away when the match burns out. You, too, will vanish, like the warm stove, the splendid festive feast and the beautiful Christmas tree.” But when the match died away, only an evil cackle remained, quite close by this time.

The girl lit another match and allowed its warmth to fill her soul with radiant warmth. But when the flame went out the girl could feel hot breath on her neck, and fingers curling around her shoulder. “mine now” a guttural voice whispered in joyful glee.

The girl was so woozy she hardly felt scared, but to make sure her grandmother would not disappear, she lit a whole bundle of matches against the wall this time.

And they burned with such a brilliant light that it became brighter than the midday sun. In her mind`s eye, her grandmother had never looked so grand and beautiful. She took the little girl in her arms and both flew joyfully together, climbing higher and higher, far above the earth, away from cold and hunger.. away to Heaven, the little child hoped.

But the vicious imp beside the child held her by the throat, by one hand, and long fingers grasp, and turned her round by the neck so she could stare into the child`s glazed over eyes. The child murmured a word and smiled.. “Grandmother?”  But the vicious little old woman merely grinned and slashed once with her other hand. The knife danced in the glorious blaze of the match light, and sliced the match girl`s throat open from ear to ear so that her head pulled back from her neck, to lean awkwardly looking the wrong way, down her back. Blood pumped from her wound and formed a rapidly growing, steaming puddle of crimson on the ice and snow covered cobblestones.

Now she is mine.” The vicious female imp leaned in close and placed her mouth over the wound and drank her fill in great gulps of passion and hunger.

They found her the next morning, slumped against the wall, with pale bloodless white cheeks, and a sweet smiling mouth – frozen to death on the very first day of the New Year. A gaping wound revealed yet another dead victim of `the Beast`.  

“She wanted to warm herself, the poor little thing,” the people of Whitechapel said.

 “I wonder why she looks so happy?” some people asked. 

Good people might have imagined what beautiful things she had seen, and how happily she had gone traipsing with her grandmother into the life beyond.

 

No one knew of the vicious little bitch who had stolen her life, and dragged this child’s soul down to hell and eternal torment. No one saw the imp place her long clawed fingers to the child’s face and twist the silent horror filled scream into a mimicry smile of peace and tranquillity…so the little match girl appeared happy at last.

No one saw that night, as the imp changed shape, just like she had done so many times before… and no one watched the thing walk away, looking the very aspect of the little dead girl, dress and matches and all.

That night.. the first of the New Year, the vicious little bitch would kill again. And when she was done, the doppelganger set lighted matches under the finger nails of its victim; and jabbed red hot lucifer’s of spent light into the sightless eyeballs, to create little carnivals of delight: and the imprisoned agony of eternal unrest.

The vicious little bitch was very old you see, and knew how to play a merry jig with the dead.

 Another `soon to be` victim of the night, of a punter scoring some cheap fun?

 This little RPG tale was actually played out using rules (above) created by Stephen Gilbert.

End Comments. I figured if Seth Grahame Smith could rewrite Jane Austen`s Pride and Prejudice – and add Zombies to it,  I could rewrite “The Little Match Girl”, and add a bit of horror hehe. I hope you enjoy my macabre little Victorian tale. The idea  was totally inspired by one of Jez’s throw-away comments about an unresolved Black Museum case file. Well,  I thought I`d just fill in a few blanks **grins**

Enjoy.

Tarot

Oh! Children, See! The Tailor’s Come…

With a jingle of tack, a Hansom cab drew up before the grand portico of Gimballs department store, the flanks of the carriage horse steaming in the chill night air. Constable Stanley Rowan stepped down from the cab, then turned to assist his heavily cloaked companion. As her bare feet touched the frosted pavement, there was a hiss as the snow immediately began to melt around them.

Ayesha does NOT require this heavy, smelly garment, – there was a petulant edge to this thought – for Ayesha is not cold.

Rowan turned from paying the cabman, sighing in exasperation.

“I thought we’d gone through this,” he said, “the cloak is to conceal you from prying eyes, not to protect you from the cold. And you will wear it, at least until we’re inside.”

Ayesha’s eyes flashed rebelliously.

Stanley said he would bring Ayesha some dates –  and he did not. Stanley dragged Ayesha into the night and made her ride in the rattling box. Why should Ayesha do as Stanley commands?

Rowan reached out and took Ayesha’s hands in his own and gazed into her scowling face.

“Stanley is trying to protect Ayesha,” he said gently, “and Stanley really needs her help. Will Ayesha do this for Stanley? Please?”

Rowan could see Ayesha weighing his words and then come to a decision.

Ayesha will do as Stanley comm…requests. But there must be dates later…

Yes,” Sighed Stanley, “there will be dates…”

Rowan turned and regarded the imposing facade of Gimballs. Somewhere amongst the haberdashery, millinery and cosmetics were the two missing children and their abductor, the red-legged scissor man. Four floors, sixteen departments and only five hours until the sun rose and the children were lost forever.

Rowan reached into his breast pocket and pulled out his skeleton key – time to get to work.

[Now, I could just continue the tale to its conclusion, but decided to add a random element, with a chance that Rowan and Ayesha would not be able to find the children in time.

Gimballs is quite large and it will take a good half hour to search each separate department, so I dealt fourteen black playing cards, from the Ace to the seven of both Clubs and Spades, then added the two of Hearts (to represent the children) and the Jack of Diamonds (to represent the scissor man), then shuffled this deck. As they only have five hours until dawn, I can only draw ten of the sixteen cards.

If they draw the Jack of Diamonds before the two of Hearts, they will have to fight and defeat the scissor man to enable them to rescue the children. If the two of Hearts comes first, then they have found the children, but may still have to deal with the scissor man. And if neither comes up, then the children are lost. Let the search begin…]

The chiming of Rowan’s pocket watch signalled that it was 3 o’clock in the morning and whilst they had thoroughly searched the ground floor, they had still found no trace of the missing children. 

[3 of Clubs, 2 of Clubs, 7 of Clubs and 3 of Spades]

Rowan had been certain that they would some evidence of their passing in the confectionary department – overturned jars or a trail of toffee wrappers, perhaps – but this was not the case. 

However, this particular department had caused a slight delay in their search. Ayesha’s eyes had opened wide in wonder as she beheld the sheer volume and variety of sweets on display and, with a squeal of delight, she had descended upon the serried ranks of jars, prying off their lids and sampling the contents wirh gleeful abandon. Only after a stern talking to from Rowan and the provision of a striped paper bag, bulging with liquorice mushrooms, Pomfret Cakes and sherbet lemons could she be cajoled into leaving. As they ascended to the first floor, their progress was accompanied by the sound of Ayesha happily munching her way through her ‘bribe’.

Due to her nature, Ayesha was distracted by neither the shoe department – Ayesha does not require footwear – nor ladies fashion  – These garments have too much material and are very ugly – so the time lost amongst the sweets was made up, as they continued with their search.

[The 6, followed by the Ace of Spades]

As the pair moved deeper into the store, the sound of high-pitched voices echoed through the fabric and haberdashery department.

[2 of Hearts…finally. I was getting the teeniest bit concerned…]

My snowflake’s better than yours, Peter” said the voice of a young girl.

Rowan gestured to Ayesha to stay back and cautiously advanced through the bolts of cloth, finally discovering the two missing children, Peter and Annabelle Darling, sitting in the middle of the floor, surrounded by a drift of paper. The girl was holding up a snowflake she had cut from silver paper for inspection, but the boy was far too busy carefully cutting out his own, his tongue stuck out in concentration.

“Hello children,” said Rowan softly, “I’ve been looking for you.”

Who’re you?” Asked Annabelle.

“My name’s Stanley. You mummy and daddy are very worried about you, so they asked me to come and look for you.” He looked at the mass of paper surrounding the two children, noting the paper garlands, snowflakes and various other decorations that had been carefully and not-so carefully cut out. “It looks like you’ve been rather busy.”

“It wasn’t just us,” said Peter, finally looking up and carefully unfolding his snowflake. He looked disappiinted that it was slightly lop-sided. “Mr. Snips did some too…”

‘Mr Snips’, thought Rowan, interesting…

“And where is Mr. Snips now?” He asked.

“He went to get some more paper, as we were running out.” Said Peter.

Rowan beckoned Ayesha over.

“I need to speak to Mr. Snips, but whilst I do, why don’t you show my friend here how to make a snowflake?” 

Both children’s eyes grew round as Ayesha approached. “She’s blue…” breathed Annabelle.

“That’s right,” said Rowan, “and as I know ‘Pinocchio’ is one of your favourite books, you know who she is…”

“The blue fairy…” said Peter in wonder.

Blue ‘fairy’? The sound of Ayesha’s laughter echoed in Rowan’s head and she grinned at him, then crouched down with the children.

“NO! The children are MINE!” Rowan turned and watched as ‘Mr Snips’ glided forward. Gone was the tailor’s outfit and the large scissors, replaced with a tall, thin masked figure, garbed in a hooded red robe, with brass scissor-like hands, which were flexing convulsively.

Ayesha rose from the floor, her anger gaining tangible form as shadows gathered about her. She stepped forward, joining Rowan to face the vengeful apparition.

There is no need for conflict here,” said Rowan calmly, “but the children need to be returned to their home.”

“But I NEED them,” said the scissor man, “otherwise I will fade…and die.” He glided forward, his shear-like hands outstretched. Rowan felt Ayesha tense beside him and put a calming hand on her arm.

“Actually,” said Rowan, “letting them go will actually help you more.”

The scissor man paused.

“What do you mean?” He asked.

“It’s very simple,” said Rowan. He turned and called the children. They came over a bit sheepishly and stood next to Rowan and Ayesha. Annabelle nervously slipped her hand into Ayesha’s, who looked a little surprised by this gesture of trust.

“Now children,” began Rowan, pointing at the red-robed figure, “who is this gentleman here?”

“Mr. Snips.” Said Peter immediately.

“And what does Mr. Snips do?”

“He shows us how to make pretty things out of paper and how to be careful with scissors, so we don’t hurt ourselves.” Said Annabelle.

“So, he wouldn’t hurt you then?” Asked Rowan.

“Of course not!” Said Annabelle, “he’s our friend.”

“And will you be telling all your friends about Mr. Snips?”

“Oh yes,” said Peter, then paused, “except for Oliver, but that’s because he’s a prig.”

Rowan turned and smiled at ‘Mr. Snips’.

“See?” He said, “you are no longer the ‘great, long, red-legged scissorman’, mutilator of children and terror of the nursery – you’re Mr. Snips, who teaches children how to use scissors safely and use them to create wonderful things. And these children,” Rowan indicated Peter and Annabelle, “will show their friends how to create snowflakes and garlands and paper marionettes, and tell them the story of the night they spent learning from Mr. Snips…and their friends will tell their friends, and so on. Keeping these children will only sustain you for so long, but if you let them go, your story will grow. You need to make the decision who you now want to be.”

During Rowan’s speech, the red-robed figure had become very still, the involuntary flexing and clashing of its long sharp fingers slowing, then ceasing altogether. Rowan waited, then gently asked “Who are you?”

“Mr. Snips.” answered the figure.

“Good,” said Rowan, “now I suggest you go and see the Night Mayor and explain yourself to him, although you might find him a changed man.”

“Thank you,” said Mr. Snips and turned to go, then paused. “What would have happened if I’d said no?”

“Well,” Rowan grinned at Mr. Snips, “I probably would have beaten you with my truncheon until you were very, very sorry.” Mr. Snips tilted his head to one side, considering.

“Yes, you probably would have.”


After the children had been safely delivered back to their loving parents, Rowan and Ayesha returned home. Rowan removed his jacket and pulled a small white box from inside, one he appropriated on their way out of Gimballs, presenting it to Ayesha as he sat beside her on the bed. It was a box of dates.

“I always keep my promises.” He said.

Stanley is a remarkable man. Ayesha has something for Stanley too.

She held out a small sprig of white and green. 

Mistletoe?” said Stanley, “Is that what Annabelle was whispering about with you on the way out?”

The little girl explained that it is a tradition at your Christmas to give ones you care for a kiss, under this greenery.

She looked shyly away, but Stanley reached out and took her chin gently is his hand, turning her to face him. His eyes searched hers and saw fear mingled with hope and he felt the walls he had built within himself crumble. He took the mistletoe from her hand and placed it on the coverlet.

“We don’t need that,” he said.

Constable Rowan to the Dark Tower Came…

The snow that had began as Constable Rowan had left the station earlier had now shrouded the borough in a blanket of white, lending it an almost fairy-tale appearance. Which was appropriate, given where Rowan had to go next.

He had sent Dr. Stone back to his lodgings and returned to the station to file his initial report, then collected his cape and ventured back onto the snowbound streets.

Having safely navigated the icy pavements, he pushed open the gate to the park known as Blackwell Common and trudged beneath the frosted trees towards the carillon at its centre.

It was assumed by most that this was a memorial to one of the innumerable foreign conflicts that Britain had involved itself in during the early part of the Queen’s reign, and, on the surface, this was true. But appearances can be deceptive, as this was also the Dark Tower, seat of power of the Night Mayor. Although given the recent incursions by members of the Court of Shadows, this power appeared to be waning.

Rowan approached the iron doors at the base of the tower, swallowed apprehensively, then raised the knocker.

“First for the princess, in the tower alone,” he murmured under his breath, as the knocker dropped for the first time, “second for the king, on his gilded throne, third for princes, sent on their quest, fourth for the supplicant, who is your guest.”

As the final echo of the fourth knock began to fade, the doors slowly and silently opened. 

“Who seeks audience with the Night Mayor?” Came a sibilnt whisper from within.

“Stanley, scion of the House of Rowan,” stated Rowan.

“Enter and ascend.” Said the voice.

Rowan climbed the internal staircase and reached the upper chamber, dimly illuminated with floating tapers. A tall, angular figure detached itself from the shadows and stepped forward.

“Young master Rowan,” said the Night Mayor, “it has been too long since your last visit. What matter brings you to my court?”

“You know very well why I’m here,” snapped Rowan, “your people have been causing disturbances on the streets – first Jenny and now, if I’m not very much mistaken, the red-legged scissor man. You are supposed to be in control of the Court of Shadows, but I’m not seeing very much of this control being evidenced.”

The Night Mayor turned from Rowan and approached one of the windows. 

“The World is changing, Master Rowan.” Sighed the Night Mayot. “I watch from my tower in my haven of green as the industrious nature of you mortals eats up the world I am familiar with. It is not one I understand and so, when the Court break the accords, I do nothing. I feel my time is past – there is no place for me in your world. The people no longer believe.”

“No,” sad Rowan, “that’s not true. You can adapt and change – embrace the new world and take your part in it. The red-legged scisdor man has changed. He used to punish children, now he’s abducting them. There will always be a place for magic in the world!”

The night Mayor turned and regarded Rowan.

“You truly believe…” he breathed in wonder. He stepped foward haltingly, his fingers questing, as though trying to grasp smoke

“Tell me where I can find him and I’ll share my belief with you,” said Rowan gently.

“He’s in Gimballs department store, with the children. Be gentle with him – he is no longet the avenging tailor of yore.”

Rowan reached out and took the thin, bony hand of the Night Mayor, closed his eyes and let his belief flow. He heard a gasp and felt the hand flex in his, filling out and transforming from cold flesh into warm metal. He opened his eyes and watched as the tattered robe dissolved into moths, which fluttered briefly before being burnt to husks by the heat radiating from the figure before him.

He removed his hand and regarded the transformation. Where once had been a shadowed and gaunt figure, reminiscent of a cowled monk, there now stood an imposing figure of iron and brass, steam leaking from its joints and fire flickering in its eyes. The figure flexed its iron hands and flashed Rowan a grin, illuminated from within as though from a furnace.

“I am reborn!” Boomed the Night Mayor, “a new incarnation for a new century! I thank you, Mastet Rowan, for this gift. I am indebted to you and I always pay my debts. The night wears on, though, so you must hurry – for if you do not secure the children before the break of day, they will be gone from this world.”

Rowan bowed to the Night Mayor and began his descent. He now knew where the children were and who had them. However, he would require some help and, based on the book he had seen in the children’s room, he knew exactly whose help he required…

A Visit From…

‘Twas weeks before Christmas,
And in Jerome Square,
The casement was banging,
The sheets, they were bare.

But where were the children,
Who should be in bed?
Snatched in the small hours,
By a figure in red.

Or so said the footman,
(And claimed it the truth),
He’d seen the strange figure,
High up on the roof.

The police they were summoned,
With Rowan not alone,
For he had brought with him,
The renowned Doctor Stone.

They examined the chamber,
Of the children – no trace,
But a curious article,
Was found in their place.

A garland of figures,
Hand and hand in a row,
Snipped from newspaper,
Then left, as on show.

Doctor Stone was perturbed,
For all of his lore,
Was of no real use,
He’d not seen this before.

But Constable Rowan,
Noted a mark that was made,
On the catch on the casement,
As if by a blade.

He had his suspicions,
Of the cause of this crime,
And would find the children,
If given the time.

If his theory was right,
Then he’d better take care,
But first he needs speak to,
The unnerving Night Mayor…

The Ladies and Gentlemen of Blackwell

Over the last week and a bit, the majority of my ‘free’ time has been eaten up by social occasions, necessary jobs about the home and the usual preparations for the upcoming festive period. Combine this with issues with one of my teeth, which resulted in its removal after a week of pain, and you can see why I may not have been as active as I usually am.

However, I did manage to get a little bit of painting done. Now, I don’t usually post half-painted figures, because this shows that my painting style is a little slapdash. But, as I haven’t got anything else to show for the last week and a bit, this is what you’re getting.

It actually gives me an opportunity to show some of these figures in colour, as previously they’ve only been shown in black and white, plus as I’m using The Red Lion as a backdrop, I can show off the ‘warm glow’ I achieved on the lower windows, which I am quite pleased with.

So, without further ado, let me introduce you to the first group, our brave boys in blue – the Blackwell branch of the London Metropolitan Police, also known as the Black Museum;

So, from left to right, we have Sergeant Doyle with his basket of Wysps, Inspector Neame and Speckled Jim, Constable Moore, Sergeant Webb, Constable Rowan and Constable Nash.

Next the nefarious forces of criminality;

Left to right, we have Captain Haggard, Mitchell, Sir Byron Carpenter, Jessop and Collins.

Next, the ladies…

As before, left to right, we have Miss Tabitha Hunt, Miss Verity Smith, Miss Victoria Timms and Jenny Greenteeth, who is the only figure fully painted. I can see that her base needs a bit of touching up, but I was particularly pleased with how I managed to get a lovely mottled effect on her garments, suggesting algae floating on stagnant water.

So, that’s a few denizens of Blackwell and a few interlopers, both mundane and mythical, but I haven’t finished quite yet…

After a recent discussion with Stevie of The Game Cupboard, I remembered a particular online retailer that could possibly provide him with some rather nice 20mm scaled laser-cut MDF buildings for his upcoming Alterni-War campaign. And this company also does 1/48th scale buildings, which are pretty much the right scale for 28mm. And this company is Petite Properties.

Now, this company specialises in laser-cut MDF doll houses, but the advantage they have over gaming specific structures is; 1 – they are a lot more detailed and, 2 – they are actually cheaper than the equivalent same size structure from a gaming company. Need proof? This is the Raven’s Perch, a three-storey Gothic mansion with playable interiors for £37.99!

Raven's Perch

Of course, I was looking for suitable structures with which to populate Blackwell, so could this be the Blackwell townhouse of Sir Alexander Crowe?

Havisham Hall 1/48th

And is this the famous L. Dodsgon & Sons of Milliner’s Court?

1/48th Buttons & Bunting Haberdashery kit - Part of Memory Lane

So the first is Havisham Hall from the Dolls House Collection at £39.99 and the second is the Buttons & Bunting Haberdashery from the Memory Lane Collection at £19.99.

I think they’re pretty good value and they give you an additional resource for a variety of periods. They have just released a range called Cobblestone Snicket, which would suit both Tudor London or Diagon Alley, depending on your particular needs.

Join me next time to find out what’s occurring in our favourite fictional London borough…

 

 

 

 

Night Work

As Constable Rowan approached the end of Hob’s Lane and turned left into Brewer’s Walk, the warm smell of malt wafted over the wall of the Merton & Son Brewing Company and caressed his nostrils. Their Blackwell Porter was a particular favourite of Sergeant Webb’s, but the scent always reminded him of one of his first cases with the Black Museum, that of the Merton Cask Murders.

He still recalled his sense of horror as he confronted the grinning ape responsible, on the slick tiles of the brewery roof, as it gleefully stuffed another broken and mangled corpse into a barrel. If it had not been for the presence of Sir Aubrey Michaels, the renowned big-game hunter, and his elephant gun, that could have spelt the end of both Rowan’s career and his life.

Rowan turned right past the gates of the brewery onto Blackwell’s main thoroughfare and followed the Blackwell Road until he reached Victoria Circus, site of the Blackwell Police Station and current home of the Black Museum. Dodging amongst the costermonger’s carts and hansoms circling the statue of the Queen, Rowan walked up the steps to the station and stepped into the cool quiet of the interior.

Sergeant Randall was on duty that evening and as it was still early, was catching up on some paperwork before the usual parade of ne’er-do-wells starting filtering in. He nodded to Rowan as he passed through the vestibule and into the station proper, to be confronted by a wicker basket placed in the centre of the corridor, which appeared to be buzzing.

“I wouldn’t touch that, if I were you…” said a voice and Rowan turned to see Sergeant Doyle stepping out into the corridor. His usually pale features were marred by several welts scattered across his face like buckshot.

“What have you got there, Doyle?” Queried Rowan. 

“These little buggers” said Doyle, tapping the basket with his toe, which increased the angry buzzing from within, “are what’s been causing issues over at Pemberton Gardens. Someone reported a fairy ring by the bandstand and it appears that rather than docile little Faeries, it was a bloody Wysp nest. So rather than calm them down, the smoker got them all riled up and the little sods got me good and proper.” Doyle scowled at the basket, “If it had been up to me, I would’ve torched the lot of ’em.”

Image result for doxy

Doyle gingerly picked up the basket, after ensuring the catches were fastened.

“If you’re on your way to see the Inspector,” Doyle continued, “watch yourself down by the armoury – Murray and Arkwright are testing their Galvanic Rifle and their aim’s a bit off.”

As Rowan reached the top of the stairs leading to the basement, he heard raised voices.

“There’s nothing wrong with MY design, Murray” snapped Arkwright, “it’s your ham-fistedness that’s causing the issue.”

“And absolutely nothing whatsoever to do with the regulator overheating and causing the barrel to yaw?” Said Murray. “Watch…”

There came a crackling sound, a burst of actinic light and the smell of ozone – followed by the tinkling of broken glass.

“There…” said Murray, “definite yawing.”

“You may have a point,” conceded Arkwright, “hand it over and I’ll take a look.”

“Coming through, Gentlemen!” Called Rowan as he cautiously descended the stairs. As he reached the door to armoury, Murray stuck his head out, his face breaking into a grin when he saw Rowan.

“Stanley!” He crowed, “good to have you back. We heard about your encounter – fae women can be a bit of a handful, so glad to see you’re unscathed. Arkwright!” He called, “it’s Stanley.”

“m’busy” muttered Arkwright, tinkering with a long metallic object on his workbench.

“Don’t mind him,” said Murray, “he’s correcting a flaw in his design…”

It’s NOT a flaw!” Shouted Arkwright. Murray winked at Rowan and went back in to help his colleague.

Inspector Neame was busy poring over various reports when Rowan finally reached his office, looking up as Rowan gently knocked on the open door.

“Ah, Constable Rowan,” said Neame, “good to have you back on duty, especially with Moore still recovering from being stabbed.” 

“Thank you, sir, it’s good to be back.” Rowan cleared his throat, “However, I think there’s something we really need to discuss, sir…”

Dangerous Denizens

As my birthday usually brings a bit of disposable income my way, mid-November (and Warfare in Reading) does tend to be one of the times that I splash out a bit of new stuff.

However, having checked the traders who were attending this year, it appeared that my shopping list would be rather small, as I knew roughly what direction I was going in with my purchases and most of the things I wanted were made by people who weren’t going to be there. Cue big heartfelt sighs and much pouting.

But all was not lost, as a random visit to Ironclad Miniatures‘ site in the week prior to the show revealed that they were currently in the throes of a 20% off sale. As I’d earmarked some of their figures for my ongoing Tales of the Black Museum, I placed an order, which was waiting for me once I got home from Warfare on the Saturday. And as I had managed to pick up an unexpected figure that was just perfect for this project, everything was coming together nicely.

So, let me introduce you to some new and dangerous denizens who will be venturing on to the streets of Blackwell soon.

First up, a quartet of disreputable thugs, who are in the employ of Sir Byron Carpenter…

This is ODD02 – Victorian Thugs, from their 28mm Victorian Sci-fi & Steampunk range, in which you get the four pictured miniatures for £5.50. They are all armed with hand weapons and dressed in suitable period costume. The figure on the far left looks a bit like an ex-Army officer by his dress, which would explain the sword.

Next up, two dangerous ladies that may stalk the night, but aren’t OF the night…

So, the figure on the left is CH10 – Mina Harker from Ironclad’s Victorian Sci-Fi & Steampunk Personalities range, available for £3.00. This also has the rest of the League of Extraordinary Gentlemen, from Nemo to Quatermain, as well as Victorian versions of Ben Grimm and Iron Man. The sword was bent quite severely when I took it out of its box and it appears I haven’t managed to straighten it out completely.

The figure on the right is Clara, Victorian Witch with Scorpion, a brand new release from Bad Squiddo Games which I picked up at Warfare for £4.00. Anyone who has watched Penny Dreadful will realise that this is a very good likeness of Vanessa Ives, even down to the scorpion she has on the palm of her hand. This is part of their My Last Sunrise range, which is described as ‘Vampire Gothic’, so an ideal range to compliment that of ‘Dracula’s America’ and probably has the best Dracula figure I’ve yet to see.

My final two denizens represent the Victorian equivalent of Twitter…

So, this two-pack is not strictly Victorian, being part of Ironclad’s small VBCW range, and is VBCW14 Telegram Rifles “communications team” available for a very reasonable £3.00. However, the uniform being worn is very similar to a Victorian police inspector, so the figure on the right will become Inspector Neame with his beloved ‘Speckled Jim’. As for the other chap, this is Sergeant Doyle, who has just visisted Cottingley and has a basket-full of fairies…

That’s all for this time, but now that I have some thugs, I feel that some kind of altercation may be brewing on the streets of Blackwell…

Not-So-Terrible Lizards

Some bloggers are painting miniatures with facial hair this month as they take part in Movember, but one blogger has consistently indulged his love of all things pre-historic with his own themed month – Dinovember – and that is Michael Awdry of 28m Victorian Warfare.

Now, I did kind of say that I’d try to take part this year, but it has become my duty to report the dastardly deeds occurring in Blackwell, I didn’t really feel I could commit to an entire month devoted to dinosauria. However, as one of Michael’s posts for this month did focus on a model I’d sent him, it did remind me that I had a box of these models awaiting whatever devious plans I had for them.

So, inspired by Michael, I thought I’d give a potted history of the range  and show you some of the models I personally own.

Back in 1974, a company called Invicta Plastics based in Leicestershire,  began a partnership with the Natural History Museum in London  to produce plastic models of pre-historic animals…and a Blue Whale, for some reason. This partnership continued for a good twenty years or so, with 23 separate creatures released from Glyptodons to Triceratops, Brontosaurus to Iguanadons. The NHM was still selling these models up until 2004, when the popularity of Walking with Dinosaur, meant that the Invicta models were no longer the ‘current’ idea of what a dinosaur’s stance should be. And because of this, when I visited in 2004, the Invicta models were all being sold at half-price – so I bought a load, with the idea that I could flog the extras on eBay. To be honest, I’d wish I’d bought a larger range, but I went for the ones I thought would be more instantly recognisable and cheaper to send through the post. Surprisingly, the Woolly Mammoths proved to be the most popular, followed by the Tyrannosaurus Rex.

Now, this range was unusual for two reasons. Firstly, it the first accurate (for the time) representation of pre-historic creatures and secondly, every model produced (bar the Blue Whale mentioned earlier and the Baryonyx) were actually in scale with one another. Each creature was moulded in single colour hard plastic and had the creature’s scientific name and details of its length molded on its belly. Which led me to the discovery that, roughly speaking, the ‘scale’ of this model range was 28mm.

Unfortunately, the Natural History Museum no longer sell these models and do not have hoppers filled with unsold models tucked away in a dusty corner of their basement – I know because I’ve asked them. I also asked after the moulds, but was assured that they have been destroyed. However as these were in production for a couple of decades, there are a LOT of these models out there, so if you do want some for yourself, check eBay. However, bear in mind that some people seem to think that ‘out of production’ equals ‘really rare’ and subsequently are selling these models at outrageous prices. A good rule of thumb for judging whether the price they’re selling it for is reasonable is to ask what the equivalent size model would cost in resin, metal of plastic (like the ones produced by Schleich). If the price is higher, don’t bother, but keep your eyes peeled, as sellers do sometimes put job lots up, containing half a dozen or so models for a reasonable price.

Of course, before you buy, you’ll want to know if they’re worth the money, so here are the ones I own, pictured with one of my converted UNIT soldiers, to give you an idea of how well they scale in.

First up, a Dimetrodon, a carnivore from the Cisuralian Permian, known for its distinctive sail-like fin;

This is the smallest model I have, but one of my favourite pre-historic beasties, because I think it looks so cool. As you can see, the detailing on each model was pretty good, even on the smaller models.

Next, a Scelidosaurus, a Jurassic herbivore.

Another nice model, which I picked up because I thought it looked suitably reptilian, but without immediately screaming ‘Dinosaur’, so could have other uses.

Next up, we have a Stegosaurus, another Jurassic herbivore.

A pretty distinctive outline on this one, although modern interpretation of fossil records suggest that it held its head and tail more horizontal.

Another favourite of mine, the Tricertaops, a herbivore of the Cretaceous period:

This model, as you can see, is ridiculously well-detailed and will be a joy to paint.

Next, a Megalosaurus, a carnivore from the Jurassic era.

And finally, the big kahuna himself, the Tyrannosaurus Rex, a carnivore from the Cretaceous period.

As you can see, he’s a pretty substantial model, towering over my UNIT soldier.

And here’s the whole gang:

So, a nicely detailed range of accurate dinosaur models, that are a perfect scale for 28mm figures, and that were relatively inexpensive to buy for the size of the model.

Whilst the pictures do give you some idea of the detail, various people have taken the time and effort to paint these models and do them justice, so follow the links to the Triceratops, Stegosaurus and Megalosaurus to see what these models CAN look like.

For mine, I’m kind of leaning towards initially using them as museum displays, but basing them so they can come off their plinths when brought to life by whatever Maguffin I come up with. That’s the wonderful thing about dinosaurs, they can be used anywhere.

Until next time.